Be a trans* ally & help fight transphobia & cissexism
1. Use the term ‘cisgender’ when referring to non-trans* individuals, rather than transphobic words like “normal,” which imply that trans* individuals are abnormal, weird, ill, or broken.
2. Do not use transphobic slurs, such as “tra-ny” or “shemale.” These words are intended to insult and harm trans* individuals.
3. Always use the name any individual gives you. Do not ask someone what their “real” name is. (Their desired name is their real name.)
4. Always use the desired pronouns of an individual. If you are unsure which pronoun to use, politely and privately ask the individual what their preferred pronouns are.
5. Do not claim someone’s gender identity as false, nonexistent, immoral, or a result of an illness or trauma.
6. Do not ask questions regarding someone’s anatomy, or question if they have transitioned or will be transitioning in the future.
7. Do not ask to see the photographs of a person before they transitioned. Likewise, do not ask invasive, personal questions of a person regarding their life before they transitioned.
8. Never out a trans* individual to others. Likewise, do not ask others if “so-and-so is transgender.”
9. Do not assume an individual’s sexual orientation due to their trans* identity.
anne hathaway in drag
anne hathaway in drag
this is one of few things that I cannot look at without compulsively reblogging
I love this picture and I have no clue what the fuck is going on but oh my god
i don’t know what’s happening but it’s good
someday i’m gonna write a faux-historical queer drama and people will ask “what was ur inspiration” and i’ll be like that one picture of anne hathaway in drag kissing the pretty lady
For the record, this was Anne in Shakespeare’s Twelfth Night.
she played Viola. Since a lot of people are like WHERE IS THIS FROM????
You might also know its adaption with Amanda Bynes: She’s the Man.
“Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a captain. She loses contact with her twin brother, Sebastian, whom she believes to be dead. Disguising herself as a young man under the name Cesario, she enters the service of Duke Orsino through the help of the sea captain who rescues her. Orsino has convinced himself that he is in love with Olivia, whose father and brother have recently died, and refuses to see any suitor until seven years have passed, the Duke included. Orsino then uses Cesario (Viola) as an intermediary to profess his passionate love before Olivia. Olivia however, believing Viola to be a man, falls in love with Cesario (Viola), while Viola has fallen in love with the Duke.”
so pictured is Olivia, Viola, and the Duke Orsino.